![]() In How I Learned to Drive-which won the 1997 Drama Desk Award for Best Play and several Obie Awards-Vogel’s conceits remain personal, political, and highly theatrical. ![]() Playwright Paula Vogel tends to select sensitive, difficult, fraught issues to theatricalize, and to spin them with a dramaturgy that’s at once creative, highly imaginative, and brutally honest. Li’l Bit (Mary-Louise Parker) and Uncle Peck (David Morse) in Vineyard Theatre’s production of Paula Vogel’s How I Learned to Drive, directed by Mark Brokaw. ![]()
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